{"id":150,"date":"2008-09-02T01:11:00","date_gmt":"2008-09-02T05:11:00","guid":{"rendered":"http:\/\/bcrockett.com\/blog\/?p=150"},"modified":"2008-09-02T01:11:00","modified_gmt":"2008-09-02T05:11:00","slug":"occupational-hazard","status":"publish","type":"post","link":"http:\/\/bcrockett.com\/blog\/2008\/09\/occupational-hazard\/","title":{"rendered":"Occupational Hazard"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.powerplay-dj.com\/blog\/images\/ksl-standup.jpg\" \/><\/p>\n<p>Standups: why I&#8217;m glad I switched my major from broadcast journalism early in my college career.<\/p>\n<p><span style=\"font-size:85%;\">If you want to get the full effect, you&#8217;ve got to see the closing shot of <a href=\"http:\/\/www.ksl.com\/?nid=148&amp;sid=4154769\">this piece<\/a> where the camera pans across the scene with John Hollenhorst reporting from the trenches in true textbook fashion. It&#8217;s funny enough to make me update my blog after a month and a half of inactivity.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Standups: why I&#8217;m glad I switched my major from broadcast journalism early in my college career. If you want to get the full effect, you&#8217;ve got to see the closing shot of this piece where the camera pans across the scene with John Hollenhorst reporting from the trenches in true textbook fashion. It&#8217;s funny enough [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-150","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"Standups: why I&#039;m glad I switched my major from broadcast journalism early in my college career.If you want to get the full effect, you&#039;ve got to see the closing shot of this piece where the camera pans across the scene with John Hollenhorst reporting from the trenches in true textbook fashion. 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